Our Tower
Written by Joseph Coelho

Frances Lincoln

 

 

 

“Gorgeously illustrated by Richard Johnson, this picture book is a love letter to high-rise living and its connection to the ancient, natural world.”
The Sunday Post

"Coelho drew upon his own experiences to tell this story about three children who leave their tower block and tumble into a strange world underneath a tree. There, a “tree-grown man” helps them understand the power of nature and, when they resurface, their tower block is transformed into a place of colour and light. Gorgeously illustrated by Johnson, this modern-day fable is a celebration of high-rise living..."
― The Bookseller

"The new children’s laureate has written a poem about living in a tower block and a magical journey into the forest to rediscover our connection to nature. Richard Johnson’s gentle illustrations capture the magic in this picture book for older children."
― The Sunday Times

"Fresh to the post of children’s laureate, Joseph Coelho is releasing Our Tower […] Coelho, who was inspired by his experience growing up in London, has said “I wanted to bring the magic of Narnia to the tower block” — which seems the perfect mission statement […] books can’t fill tummies but they can provide hope and escape"
The Observer

“This glowing, poetic picture book from the new children’s laureate celebrates the joys of community in urban spaces while quietly affirming that the natural world belongs to everyone.”
― The Guardian

Our Tower
Written by Joseph Coelho

Frances Lincoln

 

 

 

“Gorgeously illustrated by Richard Johnson, this picture book is a love letter to high-rise living and its connection to the ancient, natural world.”
The Sunday Post

"Coelho drew upon his own experiences to tell this story about three children who leave their tower block and tumble into a strange world underneath a tree. There, a “tree-grown man” helps them understand the power of nature and, when they resurface, their tower block is transformed into a place of colour and light. Gorgeously illustrated by Johnson, this modern-day fable is a celebration of high-rise living..."
― The Bookseller

"The new children’s laureate has written a poem about living in a tower block and a magical journey into the forest to rediscover our connection to nature. Richard Johnson’s gentle illustrations capture the magic in this picture book for older children."
― The Sunday Times

"Fresh to the post of children’s laureate, Joseph Coelho is releasing Our Tower […] Coelho, who was inspired by his experience growing up in London, has said “I wanted to bring the magic of Narnia to the tower block” — which seems the perfect mission statement […] books can’t fill tummies but they can provide hope and escape"
The Observer

“This glowing, poetic picture book from the new children’s laureate celebrates the joys of community in urban spaces while quietly affirming that the natural world belongs to everyone.”
― The Guardian

Making: Our Tower

After speaking with Joseph about the adventures he had growing up in Roehampton, near Richmond Park, I did some visual research into the area, helped by Joseph sending me some photographs. I really wanted to try and create a visual adventure that would complement Joseph’s poem, blending the mundane, the dark and dangerous with the fantastic and celebratory. Visual research is really important to undertake in any project, especially for ‘Our Tower’, and my methods change from project to project. I think a lot of Joseph’s work is autobiographical, so it was important to me that I captured a sense of Joseph’s personal story in the imagery. Whilst some of the details were lost in the finished artwork—for commercial purposes—I hope the essence of some of that initial research influenced the entire project.

The book is slightly longer format so I wanted to expand my interests in sequential visual storytelling, using multiple panels and trying to blend the forms of children’s books and comics. I think I had the most fun developing the sections of the story where the images work in quick succession, layering and moving the children through the city environment and into the magic underworld. We were still in lockdown when I was designing the book, so it was easy to draw inspiration from the mood of the nation, those feelings of separation and being placed in boxes! For me this is the spirit of the book: breaking through those feelings of isolation, and celebrating our homes, families, and friends.

Arena Illustration have posted an article on the making of Our Tower here:

BirdSong
Written by Katya Balen

Barrington Stoke

 

After a devastating car crash, Annie is unable to play her flute and retreats from the music she's always loved. She exists in a world of angry silence – furious with her mum and furious she can't seem to play her beloved flute any more.Then she meets Noah, who shows her the blackbirds' nest hidden in the scrubland near their flats. As their friendship grows, the blackbird's glorious song reignites Annie's passion for music. But when tragedy strikes again, will her fragile progress be put at risk?

The Thing at 52
Written by Ross Montgomery
Frances Lincoln

 

"A gentle picture book in soft focus and glowing colours about a child who befriends and loses a lonely creature in her neighbourhood. A compassionate and inspiring story."
― The Sunday Times

"A truly beautiful book that will cause many an insightful conversation between a young child and their parent, or teacher, when read together."
The Independent Children's Book of the Week

“A young girl befriends a monster in this poignant exploration of loneliness which is stunningly illustrated by Richard Johnson.”
― The Bookseller

“Each page is stunningly illustrated and so pleasing to the eye, which everyone will enjoy.”
― The Herald

"The Thing at 52 is a beautifully illustrated book and a very simple but meaningful story covering issues such as loneliness, befriending, loss, kindness, acceptance, friendship. The book I am sure would be enjoyed by young children, and also a starting point to look at some of the important issues mentioned and discuss these topics with them. Some of these conversations are not always easy to introduce and the book and its outstanding illustrations are a delight and a good way of raising these subjects."
― SupportLine

Making: The Thing at 52

 

The Thing was created by combining the power of a gorilla with the timidness of a guinea pig, the courage of a lion and the softness of a rabbit.

Nightjar
Written by Katya Balen

Barrington Stoke

 

When Noah’s dad visits from New York, he and Noah come across an injured nightjar during a walk in the countryside. Noah is determined to save the bird, but his dad believes they should leave it alone to let nature take its course. As father and son argue, it becomes clear that Noah is angry about more than just the bird. He feels abandoned and misunderstood by his dad, who has moved to the US and started a new family there that doesn’t seem to have room for Noah. Can they find a way to build a new relationship and rediscover the common ground between them?

Once Upon a Snowstorm – Front Cover Design by Richard Johnson
Face to Face – Once Upon a Snowstorm
Goodbyes – Once Upon a Snowstorm
Cave – Once Upon a Snowstorm
The Journey Home – Once Upon a Snowstorm
Cave Paintings – Once Upon a Snowstorm
Boy and Bear – Once Upon a Snowstorm
Snowstorm – Once Upon a Snowstorm
Home – Once Upon a Snowstorm
Friends – Once Upon a Snowstorm
Father and Son – Once Upon a Snowstorm
Lost – Once Upon a Snowstorm
Once Upon a Snowstorm

Faber & Faber

 

This book was shorlisted for the World Illustration Awards 2018, Professional Children's Books Category.

Merit Winner for the 3x3 International Picture Book Show No.15, Published Children's Books Category.

 

"Invokes both the intimate and the epic...and a world in which the landscapes of reality and those of a child's imagination collide... this is a book that reminds us we don’t always needs words."
Olivia Lomenech Gill, illustrator of Fantastic Beasts and Where to Find Them

"Stunning . . . the dreamlike illustrations swept me up and took me on quite an incredible, visually enchanting journey. All in one sweep, this beautiful wordless story broke my heart. An incredibly stunning book."
David Litchfield, author and illustrator of The Bear and the Piano

"Captivating and atmospheric, with a pitch-perfect use of color."
Levi Pinfold, author and illustrator of Black Dog

"It's beautiful. I love the details in the snow flakes . . . and the funny close ups of the animals faces. Such a warm story, frosted with magic."
Polly Dunbar, illustrator of Penguin

"Enchanted."
Sarah McIntyre, author and illustrator.

"Richard's illustrations are very gentle and soft, beautiful images of forest and winter landscapes . . ."
Tomislav Tomic, author and illustrator.

"A magical beutifully illustrated story that reminded me of Raymond Briggs' The Snowman, one of my all time favourites."
David Tazzyman, author and illustrator.

"It's outstanding."
New Statesman

"Enchanting"
Guardian - BOOKS OF THE YEAR

"Stunning, wordless picture book that has a dream like quality and a captivating message...the frosty fantasy will make you yearn for an open fire and mugs of hot chocolate."
Daily Mail - BOOKS OF THE YEAR

"Beautifully illustrated and entirely wordless, inviting more storytelling from the reader every time"
Evening Standard

"The perfect book for cosy autumn and winter nights"
Scottish BookTrust

"A magical winter tale of friendship and discovery"
Carousel Magazine

"A dreamy visual narrative to brighten winter evenings"
Kirkus

Once Upon a Snowstorm

Published by Faber & Faber
1st November 2018

This book was shorlisted for the World Illustration Awards 2018, Professional Children's Books Category.

Merit Winner for the 3x3 International Picture Book Show No.15, Published Children's Books Category.

"Invokes both the intimate and the epic...and a world in which the landscapes of reality and those of a child's imagination collide... this is a book that reminds us we don’t always needs words."
―Olivia Lomenech Gill, illustrator of Fantastic Beasts and Where to Find Them

"Stunning . . . the dreamlike illustrations swept me up and took me on quite an incredible, visually enchanting journey. All in one sweep, this beautiful wordless story broke my heart. An incredibly stunning book."
―David Litchfield, author and illustrator of The Bear and the Piano

"Captivating and atmospheric, with a pitch-perfect use of color."
―Levi Pinfold, author and illustrator of Black Dog

"It's beautiful. I love the details in the snow flakes . . . and the funny close ups of the animals faces. Such a warm story, frosted with magic."
―Polly Dunbar, illustrator of Penguin

"Enchanted."
―Sarah McIntyre, author and illustrator.

"Richard's illustrations are very gentle and soft, beautiful images of forest and winter landscapes . . ."
―Tomislav Tomic, author and illustrator.

"A magical beutifully illustrated story that reminded me of Raymond Briggs' The Snowman, one of my all time favourites."
David Tazzyman, author and illustrator.

Storyboard – Once upon a Snowstorm
Mock Up Books – Once Upon a Snowstorm
Making: Once Upon a Snowstorm

Initially, I had been inspired to create imagery set in a snowy mountain landscape. Doodling in my skecthbook, I drew a boy and his father and began to explore their relationship set against this wintery backdrop. I had certain visual ideas for sections of the story which unfolded as I made connections between the landscape and the boy's imagination, slowly a clear narrative developed.

I quickly decided to remove any words from the book and concentrated on trying to tell the story purely through imagery, developing the characters and sequencing the sections together. Some of the photographs posted here document my sketchbook development. They show how I evolved my initial ideas into more detailed roughs, a working storyboard and mock-up dummy books, which allowed me to physically test the pacing and flow of the imagery as a whole.

As I developed the narrative a number of other themes started to become important to me, such as animal rights and the loss of a parent. The silent picture-book format also encourages a more personal interpretation of its story, perhaps determined by discussions between parent and child. It is my hope that children will enjoy the story as a magical winter adventure, a tale of friendship and discovery.

The Wild Wood – The Wind in the Willows
Mr Toad's Bedroom – Wind in the Willows
Mr Badger's Door – Wind in the Willows
Toad of the Road – Wind in the Willows
Wind in the Willows

Written by Kenneth Grahame.

Association of Illustrators: Gold Award Winner, Images 36: Children's Books.

My ambition was to try to capture some of the atmosphere, humour and the sense of place in Grahame's world, combining a partly realistic and partly stylised body of work. I tried to visualise moments of quiet tension and dramatic action from the story.This was one of my favourite scenes to illustrate, as Moley ventures deeper into the Wild Wood.

City Mouse, Country Mouse – Animal Stories
The Troll, Three Billy Goats Gruff – Animal Stories for Bedtime
Animal Stories for Bedtime

Usborne Children's Books

Illustrations for a 96 page Children's Book including, 'The Elephant’s Nose', 'The Musicians of Bremen' and 'The Town Mouse and the Country Mouse'. Each story had a full page plate artwork and a number of smaller vignettes.

Pinocchio – Templar Publishing
Playland, Pinocchio – Templar Publishing
The Whale, Pinocchio – Templar Publishing
Pinocchio

Templar Publishing

Pop-Up Children's Book designs fro Pinocchio, written by Carlo Collodi  and reworked by Anita Ganeri.

I really enjoyed the challenge of designing illustrations, incorporating the paper engineering and mechanics of the book. These books were a lot of fun to work on!

Hey Diddle Diddle – Nursery Rhymes
The Owl and the Pussy Cat – Nursery Rhymes
Come Out to Play – Nursery Rhymes
Vignettes – Nursery Rhymes
Nursery Rhymes

Illustrations created for a collection of classic Nursery Rhymes including, 'The Boy Who Cried Wolf!' and 'The Gingerbreadman'. The book contains double page spread and vignette designs.

The Wolf lurks in the shadows of the forest. The boy hides behind a large tree stump uncertain if the Wolf has spotted him. Autumn. Richard Johnson Illustrator
Gingerbread man running from a mob of animals and people who are chasing the tasty little chap. Richard Johnson Illustrator
Gingerbread man vignettes. Old woman creates the gingerbread man. The Gingerbread man makes a run for it through the open door. A little house in the countryside owned by three bears. Richard Johnson Illustrator
Illustrated Nursery Tales

The publication contains twelve well-known tales including, 'The Boy Who Cried Wolf!' and 'The Gingerbreadman'. 'The Princess and the Pea' and 'Jack and the Beanstalk', as well as lesser-known stories such as 'Hywel and the Mermaid'.

Children Playing in the Snow

Illustration created for a Children's Magazine, published by Cricket Media. 

G is for Gorilla – Animal Alphabet ABC Book
Richard Johnson Illustrator – P is for Penguin
Richard Johnson Illustrator – S is for Snake
Richard Johnson Illustrator – L is for lion
Richard Johnson Illustrator – Q is for Quetzals
Animal Alphabet

Usborne Publishing

An Animal Alphabet, a light hearted Chidren's Picturebook. Its feeding time at the zoo, follow the animal antics of these crazy creatures and spot things beginning with...

Santa looking at baubles on a Christmas tree. Richard Johnson Illustrator
The Night Before Christmas. Santa in sleigh pulled by reindeer. Richard Johnson illustrator.
The Night Before Christmas

Published by Random House

32 page Picture Book illustrating Clement Clarke Moore’s Poem.

Flip-Flappers, My Grandpa's Amazing Inventions – Templar Publishing
My Grandpa's Amazing Inventions

Templar Publishing

28 page Children's Picture Book. Written and illustarted, the story follows a child and her Grandfather on an adventure of imagination as they decide upon what would be the perfect invention. 

Moon-Bus, My Grandpa's Amazing Inventions – Templar Publishing
My Grandpa's Amazing Inventions – Templar Publishing
The Bible

Published by The Bible Society.

From left to right, plate artwork examples from 'Moses and the Red Sea', 'Queen Esther' and 'Jonah and the Whale'.

The Nativity front cover published by Random House. Joseph, Mary and baby Jesus. The Three Kings and the Three Shepherds, animals and the stable at night. Richard Johnson Illustrator
No Room at the inn. Mary rides a donkey with Joseph following the Innkeeper to the stable. Night time, washing hangs from the buildings. Richard Johnson Illustrator
The birth of baby Jesus. Mary and Joseph look down on the newborn in the crib. The animals look on. Richard Johnson Illustrator
The Nativity, The Story of Baby Jesus

Published by Random House

Written by May Eliot, 32 Page Picture book. 

Little creature with a worm for a pet. He has stripy fur and is about to fall off a cliff. Richard Johnson Illustrator
Strength, a character from the Sandifoot Folk. He is a big orange robot. Richard Johnson Illustrator
Sketchbook samples showing character and compositional development. Richard Johnson Illustrator
The Sandifoot-folk

A narrative developed from my sketchbook drawings, inspired by the Major Arcana or 'life lessons'.

A lone wolf looks down upon a procession of people, walking, riding, playing instruments and talking. Its snowing. Richard Johnson Illustrator
A Farmer throws out spoilt honey, his farm is overrun by mice. Summer fields and white house. Richard Johnson Illustrator
Mr Fox sitting in the farmers kitchen, helping himself to bread and cheese. Bushy tail. Richard Johnson Illustrator
Aesop's Fables

Published by Kingfisher Books

Written by Saviour Pirotta. The book includes eight stories from Aesop's fables including 'The Lion and the Mouse', 'The Frogs Who Wanted to be King' and 'The Jay and the Peacocks'.